photo_cv
Department
Département
Communication, culture & languages
Teaching areas
Domaine d’enseignement
Communication
Culture
Entrepreneurship
Research areas
Domaine de recherche
Information and communication sciences
Innovation and Entrepreneurship
Labor and population Economics
Organization Studies
Skills
Management
Culture
Music
Communication
Biography
Biographie
Jeremy Vachet has received a PhD (2019) from the School of Media and Communication at the University of Leeds (UK). His PhD thesis, named “Coping with Precariousness in the Cultural and Creative Industries: A Study of Independent Musicians”, prepared under the supervision of David Hesmondhalgh and David Lee, considers how experiences of precariousness and insecurity under conditions of neoliberalism threatens the well-being and self-realisation of aspiring musicians. He is now Assistant Professor at the Culture and Communication department at Audencia Business School, Nantes (France), and associate member of the LabSIC at the Université de Paris XIII (France). In the past decade, Jeremy has also developed a career as an independent musician and producer.
Section CV
Formation
PhD in Media and Communication
University of Leeds, Leeds
(2019)
MA in Media and Communication
Université Paris VIII, Saint-Denis
(2010)
BA in Sociology
Université Toulouse le Mirail, Toulouse
(2007)
Experience
Academic director - Specialized Master Management of the musical sector
Audencia Business School, Nantes, France
2020 - 2020
Head of Major - Management de la production et création audiovisuelle, Angoulême
Audencia Business School, Nantes, France
2019 - 2023
Visiting out
2022 - 2022
Université Paris XIII, France : Visiting out - Research Method
2019 - 2024
Université Paris XIII, France : Research Associate
Publications
Published
VACHET, J. (2024). « L’utopie, c’est pas pour tout le monde. » Inégalités de carrière et ajustements des musiciennes indépendantes. Biens Symboliques/Symbolic Goods, 14.
VACHET, J. (2024). Toward a sociological explanation of anxiety: Precariousness, class and gender among independent musicians. The Sociological Review, 72 (3).
VACHET, J. (2024). “Utopia isn’t for Everyone”: Career Inequalities and Adaptations among Female Independent Musicians. Biens Symboliques/Symbolic Goods, 14 (2024).
VACHET, J., MATTHEWS, J. (2014). Les recherches critiques appliquées dans le champ des TICN : chimère ou percée? Éléments de réflexion. Tic et Société : Technologies de l'Information, de la Communication et Société, 8 (1-2), 177-199.
VACHET, J. (2022) ROCKTIMISM ? ÉCRIRE SUR LA POP À L’ÈRE DE LA CRITIQUE ROCK (traduction). Éditions de la Philharmonie
VACHET, J. (2022) Fantasy, Neoliberalism and Precariousness: Coping Strategies in the Cultural Industries Emerald Group Publishing Limited
VACHET, J., MATTHEWS, J., ROUZÉ, V. (2014) La Culture par les foules ? Le crowdfunding et le crowdsourcing en question. MKF
VACHET, J., BENISTANT, A. (2024) Les conséquences psycho-sociales du do it yourself. CNM Lab, , 102-117
VACHET, J., BENISTANT, A. (2023) Cultural Crowdfunding Platforms in Latin America. From ‘Creative’ Discourses in Political Agenda to Stakeholders Strategies. Routledge
VACHET, J. (2019) David Hesmondhalgh et l’économie politique. Presses de l'Ecole des Mines, 3 , 251-262
VACHET, J. (2018) Jeunes chercheurs : une critique est-elle possible ?. Marre et Martin, , 310
VACHET, J. (2022). Conditions de production des séries TV. CNRS - ERC project École Thématique « Enjeux moraux et sociaux des séries télévisées ».
VACHET, J. (2022). Resisting Entrepreneurial Incentives in the Independent Music Industries: Side-jobs, Self-realisation and 'bearable' Working Lives. ECREA Conference.
VACHET, J. (2022). Entrepreneurial Hype and Cheap Entrepreneurs: Music Making and Contingent Employment Relationships. ICA Conference.
VACHET, J. (2022). Music production, Platforms and the compeled ‘Do It Yourself’. Global Perspectives on Platforms and Cultural Production.
VACHET, J. (2021). Musique, activités annexes, modes de subsitance et réalisation de soi. Petit Séminaire, Maison des Sciences de l'Homme Paris Nord.
VACHET, J. (2021). À la fin, tout est analogique. Importance préservée des relations interpersonnelles, des intermédiaires culturels et des lieux pour l’industrie musicale indépendante. XXIIème Congrès de la Sfsic : SOCIÉTÉS ET ESPACES EN MOUVEMENT.
VACHET, J. (2020). Manufacturing of Recognition and Distribution of Wages in the Music Industries: the Impact on Workers. Third Working in Music conference, Turku, Finland.
VACHET, J. (2020). Precarious Housing Conditions among Young Independent Musicians : Bohemianism, Familisation and Social Class Background Inequalities. Creative Identities in Transition: Higher Music Education & Employability in the 21st Century, Vienna, Austria.
VACHET, J. (2019). A ‘new mystique’, Forced Entrepreneurship in Relation to Individualisation and Flourishing in the Cultural and Creative Industries. A case study of a sample of independent musicians in various ‘big’ cities. Congress of the Swiss Sociological Association 2019 The Future of Work, Lausanne, Switzerland.
VACHET, J., BUBENDORFF, S., GOURVÈS, M. (2022). Enquête sur le bien-être et la santé mentale dans l’industrie musicale en France.
VACHET, J., BAKER, M., DETIENNE, F., GORFF, J., RUIJER, E. (2018). Route to PA Work Package 3.3.
Broadcasts
VACHET, J. (2018). Anxiété et autres troubles au regard du genre et de la classe sociale : étude de cas de musiciens indépendants résidants à Paris, Stockholm, Brooklyn, San Francisco et Portland.
VACHET, J. (2017). Les Nouvelles vagues. France Culture
Press articles
VACHET, J. (2017). Le financement participatif dans la culture : une solution parallèle... Mais pour qui ?. Eclairages, (8), 14-15.
Scientific activities
Member of the board of directors of an academic association
Secretary of the Media Industry Group at the International Communication Association,
2023
Reviewer for an academic journal
Work and Occupations,
2022
Tic et Société : Technologies de l'information, de la Communication et Société,
2019
Awards and honors
Enquête sur le bien-être et la santé mentale dans l’industrie musicale en France, 2021
Full University Research Scholarship, 2014